Collected Poems of John Holmes
Holmes, John A., Jr.
2002
The modern poet
The modern poet
I. 1900-1940 | |
He walks in this age looking for the One Overbanking law that keeps all in, Flows him from source to sea to sun; | |
For one course roundly answering all Floodwater at tight turns with a pool, Returning him to make high clouds full. | |
It will pour him down to find the Way. Losing it, he shall be punished with dry. In the middle of the channel let me flow. | |
Walking in this age, he came to a river, Real, with a name. It had run forever, Image of the image he must discover. | |
Over the fast green water a bridge, Green steel on concrete, arched on a ledge, Carried a highway crossways, edge to edge Of image and river, who knew where? But he knew. He had a route-map here. And why war's roadbed would endure A generation's traffic east from east. Laboratories proved this surface best. He lived, he died, not all a waste, Knowing exactly where he was and lost. | |
He watched, and never twice the same Saw seasons light the same shut room. His words would prove it sometime. | |
Ask how in engines the holy ghost Explodes the godhead of compression That heats the airmail's hourly passion. | |
He tried to pray against confusion. | |
II. 1940-1950 | |
This decade branches like the blood, Arteries for freight trucks, side road For poetry, on the map not bad not good. | |
Murder at a point in history called X He knows all about, a matter of Greeks, Jews, policy, and why a heart breaks, | |
How the weather bureau hears the wind. Willow, will you, how the tree must bend. Tomorrow and tomorrow in the mind. | |
He knows, he knows, and tells as he is told. But before the trees were all felled, There was wilder wind in the world. | |
I hear five thousand miles, but travel One square mile of good and evil At any one time, barefoot on gravel. | |
That there is no hell, he can prove, And that heaven is on earth, both relative. Love harms him, but he values love. | |
He knows he has wandered from the River. Nothing is as it should be, and never Will be. He bums with an ugly fever | |
To know why it never will be, to know why Eighty is twice too late for the hated to die. One rich old bastard died off yesterday, | |
Who before thirty had done all his worst, But lived on insolent and cursed Fifty years more, uncaught, nor forced. | |
The doors of time shut down on a long war, And locked him into an unlikely somewhere, Opened, and again the unsolved Here. | |
He has lain awake to voices in the night, Stupid and repetitive, and too late, And listened to his wrist and wrist beat. | |
He knows that a dabbling child, to catch In the bright water fish near the touch Does fall in and drown. He knows too much. | |
Knows it is very beautiful and imperfect. No image, no motto, no new sculpture erect To say what the decade is, or be exact. | |
It would be good to be god-damned bitter About this decade, and state the matter. It makes house-noises. Doors. Water | |
Draining away, nothing whole or resists, The care and the schooling worn, or waste, The iron of mind's music at rest or rust. | |
III. 1452 - 1519 | |
This incorruptible star is known By knowing its laws, by watching man Wrinkle his face in fear or pain. | |
This radiant mote of dust has tongues To praise the very least of things, To speak its angels, plan its wings, | |
T Has hands, has mind, and had a name - Da Vinci. He watched the way birds climb, And shadows fall on shapes in a room. | |
He loved the laws of light and force. Great knowledge, he said, is the source Of great love of the universe. | |
So, veins in an iris; or silver sound; Animals always; and laws to find For stone-saws, looms, and lifting wind | |
That a man might fly on. Man must fly. Beware coarse outlines, he would say, And let thy shading melt away. | |
Four years on the Mona Lisa, never Done, she died, his double mind forever The mystery he might not discover. | |
In his black courtyard where the light For the Last Supper was soft and right, He measured to make the table straight. | |
He counted wing-beats, built canals, Guns, towers, cranes, pumps, walls. He said a man makes real what he wills. | |
Copy in red crayon this, and this, When a man knows or knows not peace, The atmosphere of the human face. | |
Study perspective, study and keep, While all the age is still asleep, The shadowy mysteries of shape. | |
The store-room and the notebooks filled. Force. Light. The Precursor John. The laws. Wings. Wings for a man, So that in air moving, and upheld, God and his mechanics could be told. | |
And died with the impossible undone. | |
IV. 1950-2000 | |
Jeffers and Yeats said the world is dying Toward resurrection, all poets agreeing Who love gaudy disaster, all saying | |
This world men use has man too much. Man has more world than he can teach Law to from more lore than he can search. | |
He says, What a fractional polysyllabic Denominational damned world we knock Our heads on, and get no echo back! | |
The River is bridged, banked. He knows. The maps need maps, codes, colors. True. Color means chemistry. Water is a law, | |
Like the law of cycle or of government, Massive, inevitable, on a world front, The swirl predictable at one point. | |
He has learned that he has learned that. So. And an east wind, a mind lost, what! Has he not mastered these currents yet? | |
I have had my world as in my time, Chaucer said, who had it in small room. It tikleth his heart's root the same. | |