IN many of the thoroughfares of London there are shops which have been turned into a kind of temporary theatre (admission penny), where dancing and singing take place every night. Rude pictures of the performers are arranged outside, to give the front a gaudy and attractive look, and at night-time coloured lamps and transparencies are displayed to draw an audience. These places are called by the costers "Penny Gaffs;" and on a Monday night as many as performances will take place, each having its visitors.

It is impossible to contemplate the ignorance and immorality of so numerous a class as that of the costermongers, without wishing to discover the cause of their degradation. Let any curious on this point visit of these penny shows, and he will wonder that trace of virtue and honesty should remain among the people. Here the stage, instead of being the means for illustrating a moral precept, is turned into a platform to teach the cruelest debauchery. The audience is usually composed of children so young, that these dens become the school-rooms where the guiding morals of a life are picked up; and so precocious are the little things, that the girl of will, from constant attendance at such places, have learnt to understand the filthiest sayings, and laugh at them as loudly as the grown--up lads around her. What notions can the young female form of marriage and chastity, when the penny theatre rings with applause at the performance of a scene whose sole point turns upon the pantomimic imitation of the unrestrained indulgence of the most corrupt appetites of our nature? How can the lad learn to check his hot passions and think honesty and virtue admirable, when the shouts around him impart a glory to a descriptive song so painfully corrupt, that it can only have been made tole- rable by the most habitual excess? The men who preside over these infamous places know too well the failings of their audiences. They know that these poor children require no nicelyturned joke to make the evening pass merrily, and that the filth they utter needs no double meaning to veil its obscenity. The show that will provide the most unrestrained debauchery will have the most crowded benches; and to gain this point, things are acted and spoken that it is criminal even to allude to.

Not wishing to believe in the description which some of the more intelligent of the costermongers had given of these places, it was thought better to visit of them, so that all exaggeration might be avoided. of the least offensive of the exhibitions was fixed upon.

The "penny gaff" chosen was situated in a broad street near ; and for a great distance off, the jingling sound of music was heard, and the gas-light streamed out into the thick night air as from a dark lantern, glittering on the windows of the houses opposite, and lighting up the faces of the mob in the road, as on an illumination night. The front of a large shop had been entirely removed, and the entrance was decorated with paintings of the "comic singers," in their most "humourous" attitudes. On a table against the wall was perched the band, playing what the costers call "dancing tunes" with great effect, for the hole at the money-taker's box was blocked up with hands tendering the penny. The crowd without was so numerous, that a policeman was in attendance to preserve order, and push the boys off the pavement—the music having the effect of drawing them insensibly towards the festooned green-baize curtain.

The shop itself had been turned into a waiting-room, and was crowded even to the top of the stairs leading to the gallery on the floor. The ceiling of this "lobby" was painted blue, and spotted with whitewash clouds, to represent the heavens; the boards of the trapdoor, and the laths that showed through the holes in the plaster, being all of the same colour. A notice was here posted, over the canvass door leading into the theatre, to the effect that "LADIES AND GENTLEMEN TO THE FRONT PLACES MUST PAY TWOPENCE."

The visitors, with a few exceptions, were all boys and girls, whose ages seemed to vary from to years. Some of the girls—though their figures showed them to be mere children— were dressed in showy cotton-velvet polkas, and wore dowdy feathers in their crushed bonnets. They stood laughing and joking with the lads, in an unconcerned, impudent manner, that was almost appalling. Some of them, when tired of waiting, chose their partners, and commenced dancing grotesquely, to the admiration of the lookers-on, who expressed their approbation in obscene terms, that, far from disgusting the poor little women, were received as compliments, and acknowledged with smiles and coarse repartees. The boys clustered together, smoking their

To discover the kind of entertainment, a lad near me and my companion was asked "if there was any flash dancing." With a knowing wink the boy answered, "Lots! show their legs and all, prime!" and immediately the boy followed up his information by a request for a "yennep" to get a "tib of occabot." After waiting in the lobby some considerable time, the performance inside was concluded, and the audience came pouring out through the canvass door. As they had to pass singly, I noticed them particularly. Above --fourths of them were women and girls, the rest consisting chiefly of mere boys — for out of about persons I counted only eighteen men. Forward they came, bringing an overpowering stench with them, laughing and yelling as they pushed their way through the waitingroom. woman carrying a sickly child with a bulging forehead, was reeling drunk, the saliva running down her mouth as she stared about her with a heavy fixed eye. boys were pushing her from side to side, while the poor infant slept, breathing heavily, as if stupified, through the din. Lads jumping on girls' shoulders, and girls laughing hysterically from being tickled by the youths behind them, every shouting and jumping, presented a mad scene of frightful enjoyment.

When these had left, a rush for places by those in waiting began, that set at defiance the blows and strugglings of a lady in spangles who endeavoured to preserve order and take the checks. As time was a great object with the proprietor, the entertainment within began directly the seat was taken, so that the lads without, rendered furious by the rattling of the piano within, made the canvass partition bulge in and out, with the strugglings of those seeking admission, like a sail in a flagging wind.

To form the theatre, the floor had been removed; the whitewashed beams however still stretched from wall to wall. The lower room had evidently been the warehouse, while the upper apartment had been the sitting-room, for the paper was still on the walls. A gallery, with a canvass front, had been hurriedly built up, and it was so fragile that the boards bent under the weight of those above. The bricks in the warehouse were smeared over with red paint, and had a few black curtains daubed upon them. The coster-vouths require no very great scenic embellishment, and indeed the stage—which was about feet square— could admit of none. jets of gas, like those outside a butcher's shop, were placed on each side of the proscenium, and proved very handy for the gentlemen whose pipes required lighting. The band inside the "theatre" could not compare with the band without. An old grand piano, whose canvass-covered top extended the entire length of the stage, sent forth its wiry notes under the be-ringed fingers of a "professor Wilkinsini," while another professional, with his head resting on his violin, played vigorously, as he stared unconcernedly at the noisy audience.

Singing and dancing formed the whole of the hours' performance, and, of the , the singing was preferred. A young girl, of about years of age, danced with more energy than grace, and seemed to be well-known to the spectators, who cheered her on by her Christian name. When the dance was concluded, the proprietor of the establishment threw down a penny from the gallery, in the hopes that others might be moved to similar acts of generosity; but no followed up the offering, so the young lady hunted after the money and departed. The "comic singer," in a battered hat and the huge bow to his cravat, was received with deafening shouts. Several songs were named by the costers, but the "funny gentleman" merely requested them "to hold their jaws," and putting on a "knowing" look, sang a song, the whole point of which consisted in the mere utterance of some filthy word at the end of each stanza. Nothing, however, could have been more successful. The lads stamped their feet with delight; the girls screamed with enjoyment. Once or twice a young shrill laugh would anticipate the fun—as if the words were well known—or the boys would forestall the point by shouting it out before the proper time. When the song was ended the house was in a delirium of applause. The canvass front to the gallery was beaten with sticks, drum-like, and sent down showers of white powder on the heads in the pit. Another song followed, and the actor knowing on what his success depended, lost no opportunity of increasing his laurels. The most obscene thoughts, the most disgusting scenes were coolly described, making a poor child near me wipe away the tears that rolled down her eyes with the enjoyment of the poison. There were or of these songs sung in the course of the evening, each being encored, and then changed. written about "Pine-apple rock," was the grand treat of the night, and offered greater scope to the rhyming powers of the author than any of the others. In this, not a single chance had been missed; ingenuity had been exerted to its utmost lest an obscene thought should be passed by, and it was absolutely awful to behold the relish with which the young ones jumped to the hideous meaning of the verses.

There was scene yet to come, that was perfect in its wickedness. A ballet began between a man dressed up as a woman, and a country clown. The most disgusting attitudes were struck, the most immoral acts represented, without dissenting voice. If there had been any feat of agility, any grimacing, or, in fact, anything with which the laughter of the uneducated classes is usually associated, the applause might have been accounted for; but here were ruffians degrading themselves each time they stirred a limb, and forcing into the brains of the childish audience before them thoughts that must embitter a lifetime, and descend from father to child like some bodily infirmity.

When I had left, I spoke to a better class costermonger on this saddening subject. "Well, sir, it is frightful," he said, "but the boys have their amusements. If their amusements is bad they don't care; they only wants to laugh, and this here kind of work does it. Give 'em better singing and better dancing, and they'd go, if the price was as cheap as this is. I've seen, when a decent concert was given at a penny, as many as costers present, behaving themselves as quietly and decently as possible. Their wives and children was with 'em, and no audience was better conducted. It's all stuff talking about them preferring this sort of thing. Give 'em good things at the same price, and I they will like the good, better than the bad."

My own experience with this neglected class goes to prove, that if we would really lift them out of the moral mire in which they are wallowing, the step must be to provide them with amusements. The misfortune, however, is, that when we seek to elevate the character of the people, we give them such mere dry abstract truths and dogmas to digest, that the uneducated mind turns with abhorrence from them. We forget how we ourselves were originally won by our to the consideration of such subjects. We do not remember how our own tastes have been formed, nor do we, in our zeal, stay to reflect how the tastes of a people generally are created; and, consequently, we cannot perceive that a habit of enjoying any matter whatsoever can only be induced in the mind by linking with it some æsthetic affection. The heart is the mainspring of the intellect, and the feelings the real educers and educators of the thoughts. As games with the young destroy the fatigue of muscular exercise, so do the sympathies stir the mind to action without any sense of effort. It is because "serious" people generally object to enlist the emotions in the education of the poor, and look upon the delight which arises in the mind from the mere perception of the beauty of sound, motion, form, and colour— or from the apt association of harmonious or incongruous ideas—or from the sympathetic operation of the affections; it is because, I say, the zealous portion of society look upon these matters as "," that the amusements of the working-classes are left to venal traders to pro- vide. Hence, in the low-priced entertainments which necessarily appeal to the poorer, and, therefore, to the least educated of the people, the proprietors, instead of trying to develop in them the purer sources of delight, seek only to gratify their audience in the coarsest manner, by appealing to their most brutal appetites. And thus the emotions, which the great Architect of the human mind gave us as the means of quickening our imaginations and refining our sentiments, are made the instruments of crushing every operation of the intellect and debasing our natures. It is idle and unfeeling to believe that the great majority of a people whose days are passed in excessive toil, and whose homes are mostly of an uninviting character, will forego amusements, and consent to pass their evenings by their firesides, reading tracts or singing hymns. It is folly to fancy that the mind, spent with the irksomeness of compelled labour, and depressed, perhaps, with the struggle to live by that labour after all, will not, when the work is over, seek out some place where at least it can forget its troubles or fatigues in the temporary pleasure begotten by some mental or physical stimulant. It is because we exact too much of the poor—because we, as it were, strive to make true knowledge and true beauty as forbidding as possible to the uneducated and unrefined, that they fly to their penny gaffs, their twopennyhops, their beer-shops, and their gamblinggrounds for pleasures which we deny them, and which we, in our arrogance, believe it is possible for them to do without.

The experiment so successfully tried at Liverpool of furnishing music of an enlivening and yet elevating character at the same price as the concerts of the lowest grade, shows that the people may be won to delight in beauty instead of beastiality, and teaches us again that it is fault to allow them to be as they are and not their's to remain so. All men are compound animals, with many inlets of pleasure to their brains, and if avenue be closed against them, why it but forces them to seek delight through another. So far from the perception of beauty inducing habits of gross enjoyment as "serious" people generally imagine, a moment's reflection will tell us that these very habits are only the necessary consequences of the non-development of the æsthetic faculty; for the assuredly cannot co-exist. To cultivate the sense of the beautiful is necessarily to inculcate a detestation of the sensual. Moreover, it is impossible for the mind to be accustomed to the contemplation of what is admirable without continually mounting to higher and higher forms of it—from the beauty of nature to that of thought—from thought to feeling, from feeling to action, and lastly to the fountain of all goodness—the great munificent Creator of the sea, the mountains, and the flowers—the stars, the sunshine, and the rainbow—the fancy, the reason, the love and the heroism of man and womankind—the instincts of the beasts—the glory of the angels—and the mercy of Christ.