The History and Antiquities of London, Westminster, Southwark, and Parts Adjacent, vol. 4
Allen, Thomas
1827
The Globe Theatre.
The above wood-cut is a correct representation of this theatre, copied from an engraved view of London, made about the year . A very rude wood-cut of this edifice appears in Malone's Shakspeare from the long Antwerp view of London, in the Pepysian library at Cambridge; but from the coarseness of the execution, it gives a very inadequate idea. | |
The Globe was a public theatre of considerable size, situated on the , the southern side of the Thames, nearly opposite to , ; and the performances always took place in summer, and by day-light. It is not certain when it was built. Hentzner, the German traveller, who gives an amusing description of London in the time of queen Elizabeth, alludes to it as existing in , but it was probably not built long before . It was an hexagonal wooden building, partly open to the weather, and partly thatched with reeds, on which a pole with a flag was erected, to give notice that the entertainments were going on. It was called the Globe from its sign, which was a figure of Hercules, or Atlas, supporting the globe, under which was written: (all the world acts a play). This theatre was burnt down . The above view represents it previously to the conflagration. The following account of this accident is given by sir Henry Wotton, in a letter dated , Reliq. Wotton, p. , edit. :
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From a letter of Mr. John Chamberlaine's to sir Ralph Winwood, dated , in which this accident is likewise mentioned, we learn that this theatre had only doors. Not a single life was lost. | |
In , was entered on the Stationers' books, A doleful ballad of the General Conflagration of the famous Theatre on the , called the Globe. | |
Taylor, the water poet, commemorates the event in the following lines:
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It is also alluded to in some verses by Ben Jonson, entitled, from which it appears, that he was in the theatre when it was burnt. It was rebuilt in , and decorated with more ornament than was bestowed on the former theatre. The exhibitions appear to have been calculated for the lower clam of people, and were more frequent than at Blackfriars, till or , when it seems to have become less popular. Being contiguous to the Bear-garden, it is probable that those who resorted there went to the theatre when the bear-baiting sports were over, and such persons were not likely to form a very judicious audience. Those actors who made the most noise were most applauded (a sure mark of the quality of the auditors), as appears from the following passage in Gayton's Notes on Don Quixote, : In some verses, addressed by Thomas Carew to Mr. (afterwards sir William) Davenant, he thus describes the audiences and actors at these public theatres:
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In , the vestry of the parish of St. Saviour ordered that a petition should be made to the body of the council concerning the play-house in that parish, wherein the enormities should be showed that came thereby of the parish, and that in respect thereof they might be dismissed and put down from playing, and that or of the churchwardens should present the same. Whether this went any further does not appear; if the petition itself had been entered, we might have had some account of the way in which the theatre was then conducted. | |
The exact site of the Globe theatre is presumed to have been at the north-west angle of Globe-alley, Maid-lane. | |
Footnotes: [] Winwood's Memorials, vol. iil. p. 469. |