Old and New London, A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources. vol 2
Thornbury, Walter
1872-78
Chapter XVIII: Bethnal Green.
Chapter XVIII: Bethnal Green.
According to Mr. Lysons, probably derives its name from the old family of the Bathons, who had possessions in Stepney in the reign of Edward I. | |
The old ballad of written in the reign of Elizabeth, records the popular local legend of the concealment under this disguise of Henry de Montford, son of the [extra_illustrations.2.146.6] [extra_illustrations.2.146.7] | |
p.147 | redoubtable Earl of Leicester. He was wounded at Evesham, fighting by his father's side, and was found among the dead by a baron's daughter, who sold her jewels to marry him, and assumed with him a beggar's attire, to preserve his life. Their only child, a daughter, was the of the ballad in Percy.
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The sign-posts at have for centuries preserved the memory of this story; the beadles' staffs were adorned in accordance with the ballad; and the inhabitants, in the early part of the century, used to boldly point out an ancient house on as the palace of the Blind Beggar, and show special turrets as the places where he deposited his gains. | |
This old house, called in the Survey of House, was in reality built in the reign of Elizabeth by John Kirby, a rich London citizen. He was ridiculed at the time for his extravagance, in some rhymes which classed him with other similar builders, and which ranked Kirby's Castle with It was eventually turned into a madhouse. Sir Richard Gresham, father of the builder of the , was a frequent resident at . | |
The opening, in , of an Eastern branch of the South Kensington Museum at was the result of the untiring efforts of Mr. Cole, aided by Sir Antonio Brady, the Rev. Septimus Hansard, rector of , and Mr. Clabon, Dr. Millar, and other gentlemen interested in the district, and was crowned with success by the princely liberality of Sir Richard Wallace (the inheritor of the Marquis of years' collection of art treasures), who offered to the education committee the loan of all his pictures and many other works of art. The Prince and Princess of Wales were present at the opening of the Museum, which took place . | |
Sir Richard Wallace's collection, which occupied the whole of the upper galleries, comprised not only an assemblage of ancient and modern paintings in oil, by the greatest masters of past or modern times; a beautiful gallery of water-colour drawings, miniatures, and enamels by French, German, and British artists, but also some fine specimens of bronzes, art porcelain and pottery, statuary, snuffboxes, decorative furniture, and jewellers' and goldsmiths' work. The collection was strongest in Dutch and modern French pictures. Cuyp was represented by pictures, Hobbema by , Maes by , Metzu by , Mieris by , Netscher by , Jan Steen by , Teniers by , Vanderneer by , A. Vandevelde by , W. Vandevelde by , Philip Wouvermans by , Rubens by , Rembrandt by , Vandyck by . In the Italian school the collection was deficient in early masters, but there were excellent specimens of Da Vinci, Andrea del Sarto, Carlo Dolce, and Canaletto. Of the Spanish school there were fine specimens of Murillo and Velasquez. The French school was well represented-Greuze by twentytwo works, Watteau by , Boucher by , Lancret by , and Fragonard by . There were works by Horace Vernet, by Bellange, by Pils, by Delaroche, by Ary Scheffer, by Delacroix, by Robert Fleury, by Gericault, by Prud'hon, by Roqueplan, by Decamps, and by Meissonier. | |
In the English collection Sir Joshua Reynolds stood pre-eminent. His matchless portrait of stood out as beautiful and bewitching as ever, though the finer carnations had to some extent flown. The childish innocence of the found thousands of admirers, though the picture has faded to a disastrous degree; and had crowds of East-end admirers. | |
Among the superb portraits by Reynolds, in his most florid manner, and daughters of the Marquis of Hertford, and of (a masterpiece), were the most popular. The mildness and dignity of Reynolds was supplemented by the ineffable grace and charm of Gainsborough. Novices in art were astonished at the of of the most delightful child-portraits ever painted. The fine works of Bonington, a painter of genius little known, astonished those who were ignorant of his works. Among his finest productions at were and This king, to the horror of the proud hidalgo, is carrying his children pick-a-back. | |
Among the French pictures there were -rate Bouchers. This of Madame de Pompadour was a great favourite with the Marquis, | |
p.148 | and at saw him at his best. There was a portrait of quite coquettishly innocent, and those well-known pictures, the and the sacred pictures by Philippe de Champagne, showed us French religious art of the most ascetic kind, presenting a striking contrast to the gaiety and license of French art in general. In Greuze we find the affected simplicity and the forced sentiment of the age before the Revolution in its most graceful form. and the peerless portrait of enabled even those unacquainted with the charm of this painter to appreciate his merits. Lancret, the contemporary of Boucher, was represented by many works, among which the critics at once decided on the pre-eminence of and a portrait of the famous dancer, Lepicie was represented by his and capital pieces of character. Watteau, that delightful painter of theatrical landscape, was a favourite of the Marquis, and at appeared his fairy-like his delightful and his inimitable What painter conveys so fully the enjoyment of a or the grace of coquettish woman? A dazzling array of Decamps included the ghastly and that wonderful sketch of Turkish children, The Paul Delaroches comprised of the finest pictures in the collection; and that powerful picture, Amongst the specimens of that high-minded painter, Ary Scheffer, we had the of the most touching of the painter's works, and the Eugene Delacroix, Meissonier, Rosa Bonheur, Horace Vernet, Gaspar and Nicholas Poussin, and many other well-known artists, are also represented in this part of the great collection. |
says a newspaper writer of , writing of in its coarser aspects,
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Mr. Smiles, in his has an interesting page on the old French Hospital in :-- says Mr. Smiles, | |
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The French Hospital has recently been removed from its original site to Victoria Park, where a handsome building has been erected as an hospital, for the accommodation of men and women, after the designs of Mr. Robert Lewis Roumieu, architect, of the directors, Mr. Roumieu being himself descended from an illustrious Huguenot family--the Roumieus of Languedoc. | |
Footnotes: [extra_illustrations.2.146.6] St. Matthew, Bethnal Green [extra_illustrations.2.146.7] Bonner's House, Bethnal Green |