Old and New London, A Narrative of its History, its People and its Places. Illustrated with Numerous Engravings from the Most Authentic Sources. vol 3

Thornbury, Walter

1872-78

Chapter IV: St. Clement Danes (continued).--A Walk Round the Parish.

Chapter IV: St. Clement Danes (continued).--A Walk Round the Parish.

 

Sacer est locus; ite profani.--Virgil.

Leaving the site of the New Law Courts on our left hand, we will now continue our way westwards from the top of what was once , but which, as before mentioned, gradually developed into Serle's Place.

At right angles to and Serle's Place, from east to west, runs , the south side of which has been demolished to form the north side of the New Courts of Law. These houses, at the time of their demolition, were almost all tenanted by solicitors and law-stationers. Although, as compared with the rest of the neighbourhood, markedly wanting in memories of the past, has its reminiscences. The heroic Lady Fanshawe tells us, in her

Memoirs,

that in - she and her family spent a twelvemonth in it, as tenants of a house belonging to Sir George Carey, from whom apparently the street was named. It is said by Mr. Diprose that at No. Benjamin Franklin is supposed to have lived whilst working as a journeyman printer in the neighbourhood. Sir William Blackstone lived in this street in , and the celebrated Mrs. Chapone, authoress of

Letters on the Improvement of the Mind,

and an ardent disciple of Richardson, also resided here until her husband's death.

It is difficult to imagine any levity of conduct in a street once inhabited by this most decorous lady; indeed, , to its credit be it spoken, seems, in spite of its surroundings, to have been

Content to dwell in decencies for ever,

which is perhaps the reason why its name is scarcely mentioned by Stow, Pennant, Northouck, or Malcolm, or even by such modern writers as Peter Cunningham and John Timbs. If there be truth in the old adage,

Happy are the people whose history is a blank,

the denizens of are much to be congratulated.

Though the street was dull and sober in outward appearance, yet it may probably have been the scene of more than gay frolic in other days. The

Grange

Inn---removed in to make room for Hospital--with its picturesque yard and offices, was much patronised in its day by the actors of the Duke's Theatre hard by, and of other places of the same kind. It is mentioned by Sir W. Davenant, in his

Playhouse to Let.

The

Plough

Tavern, also in this street, --kept at time by Mr. John Gully, the prizefighter, afterwards M.P. for Pontefract- was an ancient hostelry of good repute, as among those who made it their head-quarters in London was the antiquary, Browne Willis. Another inn in the street was the

Seven

Stars,

formerly the

Leg and

Seven

Stars,

a corruption of the

League and

Seven

Stars,

denoting the United Provinces.

Little is known of the family of Serle, after whom this street is named, except what Mr. P. Cunningham tells us in his

Handbook of London,

namely, that it was called after a Mr. Henry Serle, of the benchers of , who died about , having bought some property in this parish from the executors of Sir John Birkenhead, the writer of

Mercurius Aulicus,

during the civil war against Charles I.

The early name of , , which lies on the north side of , was Serle's Court; and the arms of Serle may still be seen, quartered with those of the Inn over the gateway leading into , formerly known as Serle's Gate.

is so called on account of its comparatively recent erection (about ). Seymour, in his

Survey of London and

Westminster

(), speaks of the centre of the Court being

spacious and nicely kept, and covered with gravel, raised low, the middle to cast off the rain when it falls. In the middle of the court,

he adds,

is a curious stone pillar artificially wrought, oil which is a dial-clock, with

four

boys who used to spout water out of Triton shells, and at the bottom is a basin, that receives the said streams of water falling down from the shells, all incompassed with handsome iron bars.

The garden in the centre was not railed in until about the year .. In a temporary building was erected in it for the purpose of exhibiting the various architectural designs for the New Law Courts.

In is the shop of Messrs. Ravenscroft, the well-known wig-makers, which has been for a century a rendezvous of legal celebrities. Here

p.27

[extra_illustrations.3.27.1] 
> may be seen on the walls of the shop a series of portraits of big-wigged lawyers, from Judge Blackstone downwards, and a book of legal autographs is kept in the shop with an almost religious veneration.

At the corner of and stood the celebrated coffee-house, so long known to law and to literature as

Serle's.

The entrance, flanked with massive doorposts of a classical design, still stands, we are assured, unaltered from what it must have been in the days of Akenside, and his friend and patron, Jeremiah Dyson, who used to make this his head-quarters. Addison frequented it in order to study the humours of the young barristers who met there of an evening, and it is not difficult to imagine him seated in a quiet nook, and watching all that is said and done. He thus mentions the house in No. of the

I do not know that I meet in any of my walks objects which move both my spleen and laughter so effectually as those young fellows at the Grecian, Squire's, Searle's, and all other coffee-houses adjacent to the law, who rise early for no other purpose but to publish their laziness.

It ceased to be known as a coffee-house about a quarter of a century ago, but it may be said still to have a connection, though slight, with literature, as it is now a wholesale and retail stationer's shop.

As the author of

London Poems

writes so graphically in allusion to this neighbourhood-

Beneath the shade of Temple Bar Walk shabby wits who serve the state; Steele, with mad laughter steeped in war, And Addison with smile sedate, And Swift, the bilious English Rabelais, Plods westward shabbily, On my Lord Bolingbroke alone to wait.

But it is time that we took up our walking-sticks and pursued our journey a little further to the north and north-west, and entered .

In spite of the levelling of the burying-ground on its southern side, and the erection of Hospital on its site, it must be owned that has a dull and dingy look, as if it had met with misfortune. The blank dead wall presented by the back of the museum of the Royal on the northern side contributes to this effect, and the few shops which it contains are mostly those of law-stationers and printers. Its very name, suggestive of the unhappy wife of Charles II., would seem to have cast a blight on it; and we are told that it inherited the name when the south side of ceased to be called . Yet, in olden days, it must have been lively and gay; for did not the

Lincoln's Inn

Theatre

once cover the site of the museum just named? and was not the

Duke's Playhouse

hard by, in ?

In Strype's time the street was without a name; and that venerable antiquary, with good reason, proposed to call it

Playhouse Street,

though his suggestion fell on dull and heedless ears.

On the back side of

Portugal Row

,

says a writer in ,

is a street which runneth to

Lincoln's Inn

Gate, which used to pass without a name; but since the place is increased by the new buildings in Little

Lincoln's Inn Fields

, and the settling of the playhouse, it may have a name given it, and not improperly, Playhouse Street. Fronting the playhouse is a street which goeth to

Plough

Stables, which also had no name, unless

one

may call it

Grange Street

, from the Grange Inn, a place of good note; nigh to which is the parish roundhouse, on the back side of which is a churchyard also belonging to the parish.

We have said that in this street there were formerly theatres; but in reality there have been , as

honest John Timbs

is careful to remind us. He writes,

The

first

theatre here (named the

Duke's Theatre

, from the Duke of York, its great patron, and was the opera, from its musical performances), was originally a tennis-court. It was altered for Sir William Davenant, and opened in

1662

with his operatic

Siege of Rhodes

, when regular scenery was

first

introduced upon our stage.

Here Pepys, in , saw acted (for the time), , and , adding, on the last occasion, that he saw

a mighty company of citizens, ordinary 'prentices, and mean people in the pit.

Here, too, as he tells us, he saw, and sat next to,

pretty, witty

Nell Gwynne, when King Charles and Lady Castlemaine were there to see Lord Orrery's performed. It is said also, that in this theatre female characters were played by women, among whom the most famous were Elizabeth Davenant, Mary Saunderson (afterwards Mrs. Betterton), Mary (or Moll) Davis, Mrs. Long, and Mrs. Barry. Davenant having acted musical pieces before the Restoration, Pepys frequently calls his theatre

the Opera,

though, in fact, tragedies and comedies only were performed there. It should be added that among the principal actors here was Thomas Betterton,

the rival of Burbage and Garrick, and the last survivor of the old school of English actors.

Sir William Davenant made this theatre his head-quarters, if not his home. Early in - the players of the Duke's Theatre removed to Dorset Gardens; and the King's Company, being burnt out from , made use

p.28

of it for about a year, when it was again turned into a tennis-court. The rest of its history shall be told in the words of Mr. Timbs:--

It was refitted and reopened in

1695

, with Congreve's comedy of

Love for Love

, which was then played for the

first

time. This

second

theatre was taken down and a new house built for Christopher Rich, and opened by John Rich in

1714

. Here Quin played his best parts; and from a

fracas

in which he was embroiled originated the Sergeant's Guard at the Theatre Royal. The

first

English opera was performed here in

1717

-

18

; here was originally used the stage motto,

Veluti in Speculum

; and here in

1727

-

28

the

Beggars' Opera

was produced and acted for

sixty-two

nights,

making Gay rich and Rich gay.

In

1732

Rich removed to Covent Garden, which he had lately built, and the

Portugal Street

house was let by turns for Italian operas, oratorios, balls, concerts, and exhibitions.

In Mr. Gifford, who had opened another place of amusement in , took this theatre, lately vacant by the withdrawal of Rich and his company to Covent Garden, but gave it up at the end of years, when it was closed, and having undergone several vicissitudes became ultimately the pottery and china warehouse of Messrs. Spode and Copeland. It was here that in Macklin killed Mr. Hannam; and Nightingale, in the volume of the

Beauties of England and Wales,

gives the following strange account of its last performance:

The shutting up of this structure has been whimsically accounted for by vulgar tradition. Upon a representation of the pantomime of

Harlequin and Dr. Faustus,

when a tribe of demons, necessary for the piece, were assembled, a supernumerary devil was observed, who, not approving of going out in a complaisant manner at the door, to show a

devil's trick,

flew up to the ceiling, made his way through the tiling, and tore away

one

-

fourth

of the house; which circumstance so affrighted the manager, that the proprietor had not courage to open the house ever afterwards.

With regard to the we find the following remonstrance in the , :--

This day Sir John Fielding informed the bench of justices that he had last year written to Mr. Garrick concerning the impropriety of performing the

Beggars' Opera,

which never has been represented on the stage without creating an additional number of real thieves; he begged, therefore, the gentlemen present would join with him in requesting Mr. Garrick to desist from performing that opera on Saturday evening. The bench immediately consented to the proposal; and a polite card was dispatched to Mr. Garrick for that purpose. To which Mr. Garrick returned for answer, that his company was so imperfect and divided (many of his performers being yet in the country), that it would be impossible for him to open with any other piece; but added, that he would in future do everything in his power to oblige them.

Here is the copy of a playbill of this theatre a century and a half ago :--

The

Sixth

day,

1720

, for the benefit of the author, by the company of comedians, at the Theatre in Little

Lincoln's Inn Fields

, this present Saturday, being the

16th of January

, will be presented a new farce of

three

acts, called

The Half-pay Officers.

A principal part to be perform'd by Peg Fryar, it being the

6th

time of her performance on any stage since the reign of King Charles II. To which will be added the new farce of

two

acts, call'd Hob's

Wedding

, being the sequel of the

Country Wake

. With entertainments of dancing by Mrs. Fryar, particularly the Bashful Maid, and an Irish Trot, Boxes,

5s.

Pit,

3s.

Gallery,

2s.

N.B.-The author's tickets, which could not come in on the

third

night, will be taken to-day.

This performance was patronised by royalty, as we find that on Monday, the ,

His Royal Highness the Prince came to the New Playhouse in Little

Lincoln's Inn Fields

, and saw a new farce of

three

acts, call'd

The Half-pay Officers

, with another new farce of

two

acts, call'd

Hob's Wedding

.

To this we cannot resist appending a playbill culled from Mr. Diprose's

Anecdotes of the Stage and Players

:

By his Majesty's Company of Comedians.

Kilkenny Theatre Royal.

(Positively the last night, because the Com-

pany go to-morrow to Waterford.)

On Saturday,

May 14, 1793

,

Will be performed by desire and command of several

respectable people in this learned Matrapolish, for the

benefit of Mr. Kearnes, the manager,

The Tragedy of

HAMLET, PRINCE OF DENMARK.

Originally written and composed by the celebrated Dan.

Hyes, of Limerick, and insarted in Shakespeare's

works.

Hamlet, by Mr. Kearnes (being his first appearance in that character, and who, between the acts, will perform several solos on the patent bag-pipes, which play two tunes at the same time). Ophelia, by Mrs. Prior, who will introduce several favourite airs in character, particularly The Lass of Richmond Hill, and We'll be unhappy together, from the Rev. Mr. Dibdin's oddities. The parts of the King and Queen, by directions of the Rev. Father O'Callaghan, will be omitted, as too immoral for any stage. Polonius, the comical politician, by a young gentleman, being his first appearance in public. The Ghost, the Gravedigger, and Laertes, by Mr. Sampson, the great London comedian. The characters to be dressed in Roman shapes. To which will be added, an interlude, in which will be in- Tickets to Society of art conversazione troduced several slight-of-hand tricks, by the celebrated surveyor Hunt. The whole to conclude with the farce of

Mahomet the Imposter. Mahomet, by Mr. Kearnes. Tickets to be had of Mr. Kearnes, at the sign of the Goat's Beard, in Castle Street.

The value of the tickets, as usual, will be taken out (if required) in candles, bacon, soap, butter, cheese, potatoes, &c.-as Mr. Kearnes wishes, in every particular, to accommodate the public. N.B.--No smoking allowed.--No person whatsoever will be admitted into the boxes without shoes or stockings.

In , George I. paid a visit to the theatre in , and the event is thus recorded in of the newspapers of the day:--

March 18

.-Last night His Majesty went to the Theatre Royal in

Lincoln's Inn Fields

, to see the play of the

Country Wife

, and the entertainment of

Apollo and Daphne

, in which was performed a particular flying on that occasion, of a Cupid descending, and presenting His Majesty with a book of the entertainment, and then ascended-at which new piece of machinery the audience seemed much pleased.

The after history of the place is curious. Having been used as a barrack and then as an auction room, it was bought by Messrs. Copeland and Spode, as a repository for their china-ware; and finally the premises were taken down in , or the following year, to make room for the enlargement of the museum of the , which was finished in .

By the rate-books of St. Clement Danes for we find to have been the residence of many distinguished personages in the century. The Earl of Rochester lived

in the house next to the Duke's Theatre,

from whence he gives notice to a correspondent,

If you write to me, direct to

Lincoln's Inn Fields

, the house next to the Duke Playhouse, in

Portugal Row

, there lives your humble servant,--ROCHESTER.

John Timbs tells us that was the last place where the [extra_illustrations.3.29.2]  were set up in London, those of St. Clement Danes, which had formerly stood in the Strand, near , having remained here until about the year . He adds that they were on the north side, facing the hospital. He also reminds us that even in recent days the street enjoyed

a sort of cant notoriety,

from the fact of the Insolvent Debtors' Court being in it.

On the south side of , near the centre of the few small courts that have not been swept away, stands [extra_illustrations.3.29.3] , which owes its existence mainly to the exertions of Dr. R. B. Todd. It forms a plain, substantial, and unpretending block of buildings, storeys in height, and is hardly old enough as yet to have a history, having been founded only as far back as the year . It grew naturally out of the wants of the Medical Department of in the Strand, of which we shall have more to say in another chapter. It stands on the site of the old workhouse of St. Clement Danes, and of of the burial-grounds already mentioned. Its design was twofold: to offer the medical students of the college the advantage of witnessing medical and surgical practice, and receiving clinical instruction from their own professors; and secondly, to afford medical and surgical aid to a poor neighbourhood, at a distance from any other hospital. The architect was Mr. T. Bellamy. The patients relieved by the hospital in were about , a number which, in a quarter of a century, has been multiplied nearly tenfold. New buildings on an extensive scale were added in , very much to the advantage of both the College and the neighbourhood. The medical staff of the College comprises a

consulting

physician, physicians, and

assistant

physicians,

consulting

surgeons, surgeons with

assistants,

a surgeon-dentist, &c.; and the syllabus of its lectures embraces nearly twentydifferent subjects. It will accommodate about patients. The medical students attending hospital practice within its walls average about . It is under a committee of management, and is but slenderly endowed. The hospital has appended to it a medical library, several museums, a chemical laboratory, and other appliances. The usual course extends over years, though some few students complete it in . Though so recently established, it can already boast of a long list of distinguished names among its professors and lecturers.

A part of the buildings of this hospital stands on ground which, up to about the year , was of the burial-places belonging to the parish. It was about the of an acre in extent, and called the

Green Ground,

as if in mockery. From a report of a parochial committee in , we learn that upwards of bodies had been interred within it in the previous quarter of a century. The scenes witnessed here were of the most offensive character. In it was interred, among other lesser celebrities, Joe Miller, the author of the

Jest Book

which bears his name, who died in . A monument was erected to his memory, with an inscription, said to be by Stephen Duck, who began life as a thresher, but afterwards entered the Church, and wrote some poems, which incurred the satire of Dean Swift. This monument, having become decayed and almost illegible, was renewed in , and is to be seen leaning up against the wall of

p.30

of its offices. The inscription on it ran as follows:--

Here lie the remains of honest Joe Miller,

Who was a tender husband, a sincere friend,

A facetious companion, and an excellent comedian.

He departed this life the

15th day of August, 1738

, aged

54

years.

If humour, wit, and honesty could save

The humorous, witty, honest from the grave,

His grave had not so soon its tenant found,

With honesty, and wit, and humour crowned!

Or could esteem and love preserve our health,

And guard us longer from the stroke of death,

The stroke of death on him had later fell,

Whom all mankind esteemed and loved so well.

Of

Joe Miller

little is known except what may be gathered from his tombstone. He was famous Old Houses In . in his day as an actor for his excellent personations of some of the characters in the comedies of Congreve, and as a gleaner and compiler of other men's witticisms he has enjoyed a reputation for wit and humour which in all probability he never deserved. Allibone's

Dictionary of Authors

tells us that

his Jest Book was originally published in

1739

as the compilation of his friend, Elijah Jenkins, but the real editor (and author, as it is asserted) was John Mottley, the author of a Life of Peter the Great. The book itself appears to have gained a sudden celebrity,

second

only to that of Ingoldsby Legends and Pickwick,

three

separate editions of it having appeared in

1739

, and

seven

editions being disposed of in as many years,

p.31

 

Mr. Peter Cunningham, in his

Handbook of London,

published in , speaks of Joe Miller's headstone as standing in the old burying-ground

half concealed in summer by a clump of sunflowers,

and draws the special attention of his readers to

the Grange public-house, with its old and picturesque inn-yard.

It may be remembered that Sir William Davenant, in his

Playhouse to Let,

mentions this hostelry in a way which implies that it was a haunt of players.

Let him enter and send his train to our house-inn, the Grange.

But alas! for the progress of modern improvements, the

Grange

and its yard are gone. It was taken down in , and its site in now covered by a part of Hospital.

But far worse than the graveyard alluded to above, was another place of burial within the limits of this parish, long known as Enon Chapel, but afterwards converted into a chapel of ease to , and called Chapel. The

building stands close to the eastern entrance to , and the access to it is through a gateway leading into a narrow and extremely dingy court, which opens out into It was converted from secular to religious uses in , by a Dissenting congregation, of whom Mr. Diprose writes-

These pious people, looking very naturally to ways and means, turned the vaults beneath their meeting-house into a burial-place, which soon became filled with coffins up to the very rafters, so that there was only the wooden flooring between the living youth and the festering dead, for a Sunday-school was held in the chapel as well as the congregational meeting. This state of things was allowed to continue till

1844

, when a new sewer having to be carried under the building, the Commissioners of Sewers discovered the loathsome charnel-house, and had the place closed, but left the bodies to lie there and rot, heedless of all

consequences. The upper premises then became tenanted by a set of teetotallers, who, amongst other uses, turned it into a dancing-room, where the thoughtless and giddy went to foot it away over the mouldering remains of sad mortality, part of the bygone generation turning to dust beneath the dancers' feet.

This loathsome abomination ceased in -, when a surgeon, Mr. G. A. Walker, gained possession of the chapel with the intention of removing the remains from the vault, or

dusthole,

as it was usually called, to a more appropriate place. The work of exhumation was then commenced, and a pyramid of human bones was exposed to view, separated from piles of coffin wood in various stages of decay. This

Golgotha

was visited by about persons, previous to its removal, and some idea may be formed of the horrid appearance of the scene, when it is stated that the quantity of remains comprised upheaved van loads. The whole mass of bodies was decently interred by Mr. Walker, at his own cost, in pit in the cemetery at Norwood, the coffinwood being piled up and burnt. It is indeed strange to think that such foul abuses were not swept away until the reign of Victoria.

Was it in jest and scorn, or in a fit of royal pleasantry, that the little thoroughfare which joins the west end of to the south-west angle of was called ? At all events it is not a little strange that this should have been the case when the Queen of Charles II. was Catharine of , and of his court favourites the Duchess of It is a short, narrow, and not very interesting street, though it still contains or of the few surviving wooden houses of the Stuart times. Mr. Peter Cunningham tells us that the

Old Black Jack,

in this street, still standing, was a favourite hostelry of Joe Miller, and was long known as the

Jump,

on account of the fact that another of its frequenters,

Jack Sheppard,

that hero of our town. bred urchins, once jumped out of its -floor window, to escape the emissaries of Jonathan Wild. John Timbs tells us that here used to meet, until the year , the members of a club known as the

Honourable Society of Jackers.

 
 
Footnotes:

[extra_illustrations.3.27.1] Duke's Theater- interior

[extra_illustrations.3.29.2] stocks

[extra_illustrations.3.29.3] King's College Hospital

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 Title Page
 Introduction
 Chapter I: Westminster--General Remarks-Its Boundaries and History
 Chapter II: Butcher's Row--Church of St. Clement Danes
 Chapter III: St. Clement Danes (continued):--The Law Courts
 Chapter IV: St. Clement Danes (continued)--A Walk Round the Parish
 Chapter V: The Strand (Northern Tributaries)--Clement's Inn, New Inn, Lyon's Inn, etc
 Chapter VI: The Strand (Northern Tributaries)--Drury Lane and Clare Markets
 Chapter VII: Lincoln's Inn Fields
 Chapter VIII: Lincoln's Inn
 Chapter IX: The Strand--Introductory and Historical
 Chapter X: The Strand:--Southern Tributaries
 Chapter XI: The Strand:--Southern Tributaries (continued)
 Chapter XII: The Strand:--Southern Tributaries (continued)
 Chapter XIII: The Strand:--Southern Tributaries (continued)
 Chapter XIV: St. Mary-Le-Strand, The Maypole, &c
 Chapter XV: Somerset House and King's College
 Chapter XVI: The Savoy
 Chapter XVII: The Strand:--Southern Tributaries (continued)
 Chapter XVIII: The Strand:--Northern Tributaries
 Chapter XIX: Charing Cross, The Railway Stations, and Old Hungerford Market
 Chapter XX: Northumberland House and its Associations
 Chapter XXI: Trafalgar Square, National Gallery, &c
 Chapter XXII: St. Martin's-in-the-Fields
 Chapter XXIII: Leicester Square and its Neighbourhood
 Chapter XXIV: Soho
 Chapter XXV: Soho Square and its Neighbourhood
 Chapter XXVI: St. Giles's in the Fields
 Chapter XXVII: The Parish of St. Giles's-in-the-Fields (continued)
 Chapter XXVIII: Drury Lane theatre
 Chapter XXIX: Covent Garden Theatre
 Chapter XXX: Covent Garden:--General Description
 Chapter XXXI: Covent Garden (continued)
 Chapter XXXII: Covent Garden and its Neighbourhood (continued)
 Chapter XXXIII: Covent Garden and its Neighbourhood (continued)
 Chapter XXXIV: Covent Garden and its Neighbourhood (continued)
 Chapter XXXV: Covent Garden and its Neighbourhood (continued)
 Chapter XXXVI: Covent Garden and its Neighbourhood (continued)
 Chapter XXXVII: The River Thames
 Chapter XXXVIII: The River Thames (continued)
 Chapter XXXIX: The River Thames (continued)
 Chapter LX: The Victoria Embankment
 Chapter XLI: Scotland Yard and the Metropolitan Police
 Chapter XLII: Whitehall--Historical Remarks
 Chapter XLIII: Whitehall and its Historical Associations (continued)
 Chapter XLIV: Whitehall and its Historical Associations (continued)
 Chapter XLV: Whitehall--The Buildings Described
 Chapter XLVI: Whitehall, and its Historical Reminiscences (continued)
 Chapter XLVII: Whitehall:--Its Precinct, Gardens, &c
 Chapter XLVIII: Whitehall--The Western Side
 Chapter XLIX: Westminster Abbey--Its Early History
 Chapter L: Westminster Abbey--Historical Ceremonies
 Chapter LI: Westminster Abbey--A Survey of the Building
 Chapter LII: Westminster Abbey--The Choir, Transepts, &c.
 Chapter LIII: Westminster Abbey--The Chapels and Royal Tombs.
 Chapter LIV: Westminster Abbey--The Chapter House, Cloisters, Deanery, &c.
 Chapter LV: Westminster School
 Chapter LVI: Westminster School (continued)
 Chapter LVII: The Sanctuary and the Almonry
 Chapter LVIII: The Royal Palace of Westminster
 Chapter LIX: The New Palace, Westminster
 Chapter LX: Historical Reminiscences of the Houses of Parliament
 Chapter LXI: New Palace Yard and Westminster Hall
 Chapter LXII: Westminster Hall--Incidents in its Past History
 Chapter LXIII: The Law Courts and Old Palace Yard
 Chapter LXIV:Westminster--St. Margaret's Church