The music lover in seventeenth and eighteenth century England

Harris, Elllen T.


Appendix 2
A: Cited primary and secondary literature (alphabetical)
Allen, Warren Dwight. Philosophies of Music History: Study of General Histories of Music 1600-1900. New York: Dover Publications, 1962, 1939.
Bacon, Richard Mackenzie. The Quarterly Musical Magazine and Review (1818-1828), excerpts in Irving, see below.
Christensen, Thomas. "Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception," JAMS 52 (1999), 255-299.
Damschroder, David and David Williams. Music Theory from Zarlino to Schenker: a Bibliography and a Guide. Stuyvesant NY: Pendragon Press, 1990.
Dart, Thurston, "Forward," in Thomas Morley, A Plain and Easy Introduction to Practical Music, ed. R. Alec Harman. New York: W. W. Norton & Company, 1952.
Delany, Mary. Correspondence in ed. Llanover, Augusta Waddington Hall, Lady. The Autobiography and Correspondence of Mary Granville, Mrs. Delany, series 1, vols. 1-3 (London: Richard Bentley, 1861); series 2, vols. 1-3 [4-6] (London: Richard Bentley, 1862.
Irving, Howard. " 'Music as a Pursuit for Men': Accompanied Keyboard Music as Domestic Recreation in England," College Music Symposium 30 (1990), 126-137.
Kassler, Jamie Croy. The Science of Music in Britain 1714-1830: A Catalogue of Writings, Lectures, and Inventions. New York: Garland Publishing, 1979.
Lang, Paul Henry. Music in Western Civilization New York: W. W. Norton & Company, 1941.
Langley, Leanne. "Bacon, Richard Mackenzie," in The New Grove Dictionary of Music Online, ed. L. Macy.
Mann, Alfred. Theory and Practice: The Great Composer as Student and Teacher. New York: W. W. Norton and Company, 1987.
Peacham, Henry. "The Compleat Gentleman," excerpted in ed. Oliver Strunk, Source Readings in Music History: The Renaissance. New York: W. W. Norton & Company, 1965, 1950, p. 141-2.
Percival, John and Philip. Correspondence in BL Add. MS 17720, f. 10v/p. 20, and BL Add. MS 47029, pp. 110-111.
Solie, Ruth. "Gender, Genre, and the Parlor Piano," The Wordsworth Circle 25 (1994), 53-56.
Tilmouth, Michael and Jerome Stanley. "Holder, William," in The New Grove Dictionary of Music Online, ed. L. Macy.
William Weber. The Rise of Musical classics in Eighteenth-Century England: a Study in Canon, Ritual, Ideology. Oxford: Clarendon Press, 1992.
B: Other useful bibliography
Christensen, Thomas, ed. The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, 2002.
Gouk, Penelope. Music, Science, and Natural Magic in Seventeenth-Century England. New Haven: Yale University Press, 1999).
Herissone, Rebecca. Music Theory in Seventeenth-Century England. New York: Oxford University Press, 2000.
Ruff, Lillian Margaret. "Thomas Salmon's 'Essay to the Advancement of Musick,' The Consort 21 (1964), 265-275.
________. "A Survey of John Playford's 'Introduction to the Skill of Music'," The Consort 22 (1965), 36-48.
________. "The Social Significance of the 17th Century English Treatises," The Consort 26 (1970), 412-422.
Wolf, Johannes. "Early English Music Theorists from 1200 to the Death of Henry Purcell," The Musical Quarterly 25 (1939), 420-429.
  • Delivered as part of the Ritter Colloquium Series sponsored by the Department of Music at Tufts University, October 1, 2003.
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