Effects of fundamentals and subharmonic pitches on consonance perception of complex chords

Myers, Will S.

2013

Description
  • This study is an attempt to provide empirical evidence for two theories of consonance using musically complex stimuli: harmonicity theory first proposed by Helmholtz (1863) and a more recent theory involving subharmonics proposed by Cariani (2001). 21 musically-trained Tufts students listened to groups of four chords composed of complex tones (a four-note chord, the same chord with a fundamental p... read more
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