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This thesis is an in-depth study of two filmmakers Jia Zhangke and Tsai Ming-liang, whose masterful cinematic articulations often pinpoint paradoxical elements—historical, spatial, and contextual alike—in Chinese modernization process. By framing the discussion within the framework of "threshold of visibility," the thesis is further going to investigate into the cinematic and contextual "thresholds" ... read morethat at once limit and open up possibilities of seeing and understanding Chinese cinema and modernization process.read less
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