Traces of Presence: Pierre Soulages and the Status of Gesture in Postwar France

Jimbo, Nolan M.
2015

In their unwavering monumentality, Pierre Soulages’s paintings conceal the gestural movements that created them, as the black painted forms sit so firmly and unshakably on the canvas that they seem to exist as integral parts of the surface rather than as results of human activity. In this way, Soulages’s paintings seem to exist solely as the traces of gesture, the memories of an act that can be al... read more

This object is in collection:
Undergraduate honors theses
Subjects
Senior honors thesis.
Tufts University. Department of Art and Art History.
Painting, French--20th century.
Gesture in art.
Soulages, Pierre, 1919---Criticism and interpretation.
Permanent URL
http://hdl.handle.net/10427/000257
ID: tufts:sd.0000308
To Cite: DCA Citation Guide
Usage: Detailed Rights