Faces in the Crowd: Theorizing the 'Public' in 'Public Performance Art,' 1957-1994

Santel, Laura
2009

While performance art has grown in popularity since the 1960s, no work has been done to analyze the audience as more than a generic mass. This paper begins to fill that gap, addressing the audience as a material carefully considered by artists as part of the performance. Since performance art is a vast and heterogeneous category, this study limits itself to performance art in public spaces, usin... read more

This object is in collection:
Undergraduate honors theses
Subjects
Department of Art and Art history
Permanent URL
http://hdl.handle.net/10427/52987
ID: tufts:UA005.013.015.00001
To Cite: DCA Citation Guide
Usage: Detailed Rights